Beethoven: The Late Piano Sonatas

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LUGWIG van BEETHOVEN
Beethoven: The Late Piano Sonatas
Igor Levit (piano)

[ Sony / 2 CD ]

Release Date: Sunday 29 December 2013

Igor Levit has recently given highly acclaimed debuts in major musical centres across Europe and is being hailed by international critics as one of the most outstanding pianists of our time. Levit is a BBC Young Generation Artist and currently features in the "ECHO Rising Star" program of the European Concert House Organization. Not just another young aspiring pianist releasing his debut album, he is an outstanding artist who meets the exceptionally high technical and interpretative demands of this extraordinary repertoire. Despite his young age, Levit's interpretations display a rare depth and maturity, making for extremely well-balanced renderings on an artistic level of the great piano masters of our age. The Russian-German pianist performs one of the largest chunks of piano repertoire - Beethoven much-revered five late sonatas opp. 101, 106 and 109-111. Here, Beethoven's late piano sonatas can be discovered in a most natural & tonally beautiful way. Written between 1816 - 1822 when the composer was completely deaf, Beethoven's last sonatas are highly subjective artistic and personal confessions. The sonatas constitute one of the cornerstones of Beethoven's mysterious late style next to the five last quartets.

GRAMOPHONE MAGAZINE AWARD NOMINATION 2014

BBC Music Magazine Award WINNER 2014: Newcomer

"All of the positive attention and high praise that 26-year-old pianist Igor Levit has garnered in Europe is thoroughly justified by his Sony Classical debut release encompassing Beethoven's last five sonatas. Levit's affinity for the composer's essentially linear style and intense expressivity borders on clairvoyance, if you'll forgive the cliché. You notice this immediately in Op. 101's first and third movements, where thoughtful voice leading and flexible lyricism mesh into a single entity. Impressive pianistic poise and thoughtful dynamic scaling give clarity and meaning to the Scherzo's obsessive march rhythms and difficult register leaps as well as to the Fugue's knotty textures" (10/10 ClassicsToday March 2014)

Tracks:

Piano Sonata No. 28 in A major, Op. 101
Piano Sonata No. 29 in B-flat major, Op. 106 'Hammerklavier'
Piano Sonata No. 31 in A flat major, Op. 110
Piano Sonata No. 32 in C minor, Op. 111
Piano Sonata No. 30 in E major, Op. 109