Piano Concertos & Nocturnes

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BRITTEN / BARBER
Piano Concertos & Nocturnes
Elizabeth Joy Roe (piano) / London Symphony Orchestra, Emil Tabakov

[ Decca / CD ]

Release Date: Thursday 5 March 2015

This solo release, a unique coupling of two of the 20th Century's greatest piano concertos marks Decca's first-ever recording of the Barber concerto and the first of the Britten since the classic Richter account conducted by the composer in 1970.

Elizabeth Joy Roe has been performing both works since a student at Julliard and has written extensive booklet notes which detail the intriguing parallels between the two composers. Her New York concerto debut was in the Britten conducted by James Conlon at Alice Tully Hall, Lincoln Center and in 2003 she was invited to replace the Barber concerto's dedicatee, John Browning, at a performance with the Delaware Symphony shortly after Browning's death.

The album is completed with two solo piano nocturnes by each composer: Britten's 'Night Piece' and Barber's 'Nocturne - Homage to John Field', widely-considered the father of the nocturne.

"Her playing of Britten's powerful 1938 concerto has an allure that is anything but sexy; it's urgent and occasionally darkly sinister, a perfect reflection of the nervous year in which it was written. And Roe is more than a match for the demands of Samuel Barber's exuberantly difficult 1962 concerto." The Observer, 8th March 2015 ***

"Ignore the ludicrous, sultry picture of Elizabeth Joy Roe on the back of this CD's cover. Her playing of Britten's powerful 1938 concerto has an allure that is anything but sexy; it's urgent and occasionally darkly sinister, a perfect reflection of the nervous year in which it was written. And Roe is more than a match for the demands of Samuel Barber's exuberantly difficult 1962 concerto." (Guardian March 8th 2015)

"Elizabeth Joy Roe sets off into the Britten at quite a lick, getting the notes to sparkle. Her playing favours a consistently light touch and precision, while Emil Tabakov's conducting is founded on strong colours, abetted by some characterful playing from the LSO wind and brass…Roe's pinpoint playing [in the Barber] allows the elegaic slow movement to speak with a cool-headed intimacy…[the] well-chosen encores [are] almost mirror images of each other." (Gramophone)

Tracks:

Barber, S:
Nocturne, Op. 33
Piano Concerto Op. 38

Britten:
Piano Concerto, Op. 13 (Revised Version 1945)
Night Pieces (Notturno) for piano