Lully: Armide (complete opera)

 
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JEAN-BAPISTE LULLY
Lully: Armide (complete opera)
Choeur de Chambre de Namur, Les Talen Lyriques, Christophe Rousset

[ Aparté / 2 CD Box Set ]

Release Date: Friday 28 July 2017

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Armide was the last tragédie en musique to come from the collaboration of Lully and his librettist Quinault. The subject - the enchantress Armide's unhappy love for the knight Renaud - is drawn from Tasso's Gerusalemme liberata.

5 February 1686. The masses hastened to discover Lully's eleventh and last tragédie lyrique. And they were not mistaken: Armide, a genuine masterpiece, would have lasting success.

Amongst other passages of rare intensity, the work includes Armide's famous monologue 'Enfin, il est en ma puissance', considered a model of French recitative. It would even become, in the 1750s, a point of contention in the Quarrel of the Buffoons, about which Rameau and Rousseau argued.

"With its vivid central role for the sorceress Armide, in which soprano Marie-Adeline Henry here casts a potent spell, the opera captivatingly mixes fantasy and human passion. The many attractive passages of dance, a staple of French Baroque opera, elicit playing of subtle orchestral sonorities from Christophe Rousset and Les Talens Lyriques" Financial Times, 26th May 2017 ****

"Rousset is a state-of-the-art Lulliste, here conducting a memorable cast led by Marie-Adeline Henry's fierce antiheroine, who rushes headlong into despair and madness...The dance music is irresistibly done. If you don't know much Lully, this will convert you." Sunday Times, 4th June 2017

"Les Talens Lyriques play with consummate mastery of elegantly swaying inégales, fizzy brilliance or suave dancelike gestures as each moment in Lully's score demands...Marie-Adelaide Henry captures the full measure of Armide's conflicting emotions, and the undercurrent of theatrical tensions produced by Rousset and his band indicates why Rameau judged this sensational music to be worthy of analytical praise." Gramophone Magazine, Editor's Choice July 2017

"The performance, recorded live at the Philharmonie in Paris, is outstanding. It is rightly dominated by Marie-Adeline Henry's powerful Armide … a thoroughly satisfying cast. Christophe Rousset is indisputably the outstanding Lully conductor of our day, or indeed perhaps any other day … a recorded performance that, thanks largely to Henry's shattering Armide, I would rate as one of the best of any Lully opera" Opera, July 2017

"[Henry is] a very powerful singer…she's somebody who is much freer and expressive than maybe what we would have heard 10 or 20 years ago in a recording of this work … there's some lovely accompaniment there in the continuo playing, the space they give the singers to develop the passion and the emotion … a fairly theatrical and dramatic rendition of this from very experienced Lully performers" Record Review, 11th June 2017

"Rousset is, of course, a whizz with this sort of repertoire, and he has the finest feeling for this whole lost musical world…there is tremendous class and élan throughout … Rousset brilliantly recaptures the feel of the French court as though it were all in a day's work … The cast of singers he has assembled is formidable, and worthy of the challenge. In particular, Marie-Adeline Henry in the title role has a magnificent sit-up-and-take-notice quality to her voice" MusicWeb International, 23rd June 2017

"It is no accident that the most-recorded sections of Armide are the anti-heroine's monologues. In Christophe Rousset's exquisitely produced live recording, these are delivered with appropriate ferocity and charisma by Marie-Adeline Henry. The orchestral accompaniment is vivacious, with attentive and imaginative continuo playing, plenty of bite from the strings, and even more bite when La Haine (an abrasive Marc Mauillon) appears." BBC Music Magazine, August 2017 ****