Abbandonata - Handel Italian Cantatas

 
Abbandonata - Handel Italian Cantatas cover
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GEORG FRIDERIC HANDEL
Abbandonata - Handel Italian Cantatas
Sampson, Carolyn / The King's Consort / Robert King

[ Vivat / CD ]

Release Date: Friday 19 October 2018

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Acclaimed soprano Carolyn Sampson, partnered by Robert King and The King's Consort, with whom she has been strongly associated throughout her professional career, turns her talents to Handel's two most dramatic cantatas, linked by the theme of abandoned women.

During his stay in Italy from 1706-10 the young Handel's eyes and ears were opened wide. Hearing Italian music played by Italian musicians in Italian palazzos, churches and theatres must have been jaw-dropping. Nowhere are those influences more vividly demonstrated than in his early Italian cantatas.

In Armida abbandonata the heroine tries, and fails, to abandon the love that has abandoned her. Storms, passion, monsters, yearning, heartache, anguish and finally resignation are all portrayed in this strongest of cantatas. Even more powerful emotions are conjured up in Agrippina condotta a morire. The mother of the crazed emperor Nero is ruthless, ambitious, scheming, domineering, violent and beautiful. Realising that she has been betrayed by her own son, her emotions swing through disbelief, injustice, fury, resentment, grief, betrayal, resilience, pride, self-pity, humiliation, thwarted vengeance and finally come to resignation. Handel pushes all the boundaries, showing techniques that were to be incorporated into his works for decades to come in music of astonishing originality. Carolyn Sampson powerfully captures the drama in full-blooded, committed performances.

Recorded in world-class new recording venue, Alpheton New Maltings, demonstrating its exceptional acoustic of striking clarity and warmth.

Extensive presentation includes 60 page booklet with liner note in three languages by Dr Ruth Smith, full texts and translations, and six pages of session photos.

"Yes, her instrument is glorious and her readings exquisitely crafted, but it's her carefully selected and interconnected musical choices that truly set her apart. This new recording exemplifies Sampson's rare sensibility, as both performer and intellectual…The sexiness of Armida, the silliness of Icarus, the shiftlessness of Agrippina are implicit in his score; Sampson's performance, and that of the King's Consort, makes this splendidly explicit." BBC Music

Tracks:

Armida abbandonata, HWV 105
Tra le fiamme, HWV 170
Figlio d'alte speranze, HWV 113
Agrippina condotta a morire, HWV 110