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Release Date: Friday 12 April 2019
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Bernard Foccroulle devotes his latest recording - the last of the anthology of Northern German organ music of the Baroque period - to Jacob Praetorius and Melchior Schildt, both pupils of Sweelinck. Praetorius and Schildt's music is not only strongly marked by Lutheran tradition, in which the chorale played a fundamental part, but also by other influences, principally Italian, that prepared the way for the explosion of the stylus fantasticus at the end of the 17th century.
Von allen Menschen abgewandt (Versus I) - Jacob PRAETORIUS
Von allen Menschen abgewandt (Versus II) - Jacob PRAETORIUS
Vater unser im Himmelreich (Versus I) - PRAETORIUS
Vater unser im Himmelreich (Versus II) - PRAETORIUS
Vater unser im Himmelreich (Versus III) - PRAETORIUS
Vater unser im Himmelreich (Versus IV) - PRAETORIUS
Vater unser im Himmelreich (Versus V) - PRAETORIUS
Vater unser im Himmelreich (Versus VI) - PRAETORIUS
Vater unser im Himmelreich (Versus VII) - PRAETORIUS
Praeambulum [F Dur] - PRAETORIUS
[Fantasia sopra] Durch Adams Fall ist ganz verderbt - PRAETORIUS
Herr Christ, der einig Gottessohn (Versus I) - SCHILDT
Herr Christ, der einig Gottessohn (Versus II) - SCHILDT
Herr Christ, der einig Gottessohn (Versus III) - SCHILDT
Herr Christ, der einig Gottessohn (Versus IV) - SCHILDT
Herr Christ, der einig Gottessohn (Versus V) - SCHILDT
Praeambulum [G Dur] - SCHILDT
Magnificat primi modi (Versus I) - SCHILDT
Magnificat primi modi (Versus II) - SCHILDT
Magnificat primi modi (Versus III) - SCHILDT
Magnificat primi modi (Versus IV) - SCHILDT
Magnificat primi modi (Versus V) - SCHILDT