[ Universal / LP ]
Release Date: Friday 20 November 2020
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ABBEY ROAD'S world-renowned engineers have been cutting grooves into discs since the studios first opened their doors in 1931. This record was pressed from a master cut using a precision technique known as half-speed mastering.
The procedure requires the source master and the cutting lathe to run at half speed on a specially adapted Neumann VMS-80 lathe. This rare and specialised technique transforms difficult to cut high end frequencies into relatively easy to cut mid-range frequencies.
The result is a cut with excellent high frequency response and very solid and stable stereo images. In short, half-speed mastering produces a master of the highest quality that enables the pressing plant to produce a superlative record."
(MASTERING ENGINEER AT ABBEY ROAD STUDIOS)
As the title implies, this is indeed Bob Marley & the Wailers captured in performance at the Lyceum Ballroom in London during the final U.K. leg of the Natty Dread tour. Passionate and symbiotic energies constantly cycle between the band and audience, the net result of which is one of the most memorable concert recordings of the pop music era.
With the addition of lead guitarist Al Anderson during the recording sessions for their previous long-player, Natty Dread, the Wailers took increasing strides toward a seamless transition into the consciousness of the rock music audience. Anderson's bluesy guitar runs liberate "Burnin' and Lootin'" as well as "Trenchtown Rock," the only new composition on Live! Anderson bobs and weaves his supple-toned fretwork among the somewhat staid rhythms common to reggae.
The mutual affinity that binds Marley with his audience is evident in the roars of approval that greet the opening notes of "Them Belly Full (But We Hungry)," "I Shot the Sheriff," and "Kinky Reggae." Likewise, "No Woman, No Cry" elicits a group singalong as the sheer volume of the audience challenges that of the amplified musicians. With this evidence, there is no denying that Bob Marley & the Wailers were becoming the unlikeliest of pop music icons.
Additionally, Live! underscores the underrated talents of the Wailers as musicians. Older works such as "Burnin' and Lootin'" and "I Shot the Sheriff" benefit greatly from Tyrone Downie's keyboard punctuation and the soulful backing vocals of the I-Threes.
4.5 / 5 All Music Guide.
1. Trenchtown Rock (Live At The Lyceum, London/1975)
2. Burnin' & Lootin' (Live At The Lyceum, London/1975)
3. Them Belly Full (But We Hungry) (Live At The Lyceum, London/1975)
4. Lively Up Yourself (Live At The Lyceum, London/1975)
5. No Woman, No Cry (Live At The Lyceum, London/1975)
6. I Shot The Sheriff (Live At The Lyceum, London/1975)
7. Get Up, Stand Up (Live At The Lyceum, London/1975)