Handel: Amadigi di Gaula (complete opera)

 
Handel: Amadigi di Gaula (complete opera) cover
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GEORGE FRIDERIC HANDEL
Handel: Amadigi di Gaula (complete opera)
Tim Mead, Mary Bevan, Anna Dennis, Hilary Summers, Patrick Terry / Early Opera Company, Christian Curnyn

[ Chandos / Chaccone SACD / 2 Hybrid SACD ]

Release Date: Friday 16 September 2022

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Countertenor Tim Mead leads an all-star cast in the Early Opera Company's recording of Handel's Amadigi di Gaula, conducted by Christian Curnyn. The opera was first performed in London in 1715, in the first season under the reign of George I, in the King's Theatre on the Haymarket. The complex, twisting plot features lovers Amadigi and Orianna, imprisoned by the sorceress Melissa (who wants Amadigi's love). Amadigi's ally Dardano turns against his friend when he realises his love for Orianna (with whom Dardano is in love) and sides with Melissa. Her plans are repeatedly foiled, and true love triumphs at the final curtain! Amadigi is considerd the finest of his early London operas in terms of musical sophistication, theatrical pacing, and a perfectly balanced exploration of the interconnected relationships, motivations, and emotional divergences among just four dissimilar yet equally arresting characters. Recorded in Surround Sound and released as two Hybrid SACDs.

"Handel took a less-is-more approach to his Amadigi di Gaula. Christian Curnyn's answering restraint reveals the stark solos, shimmering textures, ringing silences and stunning one-to-a-part counterpoint of music that fairly bursts with its composer's early genius." Five Stars BBC Music - Opera Choice November 2022

"All the roles are for high voices, which could have made for unvaried home listening, but there's an effective contrast between the liquid tone of Tim Mead's countertenor in the title role and the distinctive steel-cored contralto of Hilary Summers as his false friend Dardano. The two sopranos, Mary Bevan as Melissa and Anna Dennis as Oriana, are closer in tone but both respond with some glorious singing to the way Handel's music draws their differing characters." The Guardian

Amadigi di Gaula, HWV 11, Act 2 Scene 1: Aria "Sussurrate, onde vezzose"