Natalie Dessay: Airs d'operas francais (French Opera Arias) / Airs d'operas italiens (Italian Opera Arias)

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Natalie Dessay: Airs d'operas francais (French Opera Arias) / Airs d'operas italiens (Italian Opera Arias)
Natalie Dessay (soprano) / with Roberto Alagna, Karine Deshayes / Concerto Kohn, Evelino / National Orchestra of Toulouse, Michel Plasson

[ Erato Classics / 2 CD ]

Release Date: Friday 15 September 2017

French soprano Natalie Dessay is one the stars of today's operatic world, thrilling audiences as both a singer and an actress.

Now an admired interpreter of bel canto and lyric heroines such as Violetta (La traviata), Lucia di Lammermoor, Marie (La Fille du régiment), Amina (La sonnambula), Pamina (Die Zauberflöte), Manon, Juliette, Ophélie (Hamlet) and Cleopatra (Giulio Cesare), Dessay originally made her reputation with showpiece coloratura roles such as Offenbach's Olympia, Mozart's Queen of the Night and Strauss' Zerbinetta.

Born in Lyon in 1965, Natalie Dessay grew up in Bordeaux. She first dreamed of becoming a dancer, but later studied acting and singing at the Bordeaux Conservatoire. She progressed with extraordinary rapidity, completing five years' worth of study in just one year and graduating with First Prize at the age of twenty. In 1989, after a brief period in the chorus of the Théâtre du Capitole de Toulouse, she entered France's first Concours des Voix nouvelles and won second prize. This led Dessay to further studies at the Paris Opéra and also brought her to the attention of the agent Thérèse Cédelle - still her agent today - and to her first major engagements as a soloist.

In 1992 she sang her first Olympia in Offenbach's Contes d'Hoffmann at Paris's Opéra Bastille in a staging by Roman Polanski. The next year she was invited to the Vienna Staatsoper to sing Blondchen (Die Entführung aus dem Serail). In 1993 she was Olympia in the opening production for the rebuilt Opéra de Lyon and by 2001 she had performed the role in eight different stagings of Hoffmann, including her debut appearance at La Scala. The 1990s also brought the Queen of the Night at Aix-en-Provence, Ophélie (Hamlet) in Geneva (she also sang the role at London's Royal Opera House and at Barceona's Liceo in 2003, where the production was filmed for DVD), Aminta (Die schweigsame Frau) in Vienna, Fiakermilli (Arabella) for her debut at the New York Met, which was soon followed by Olympia and Zerbinetta, Lakmé at Paris' Opéra Comique (she recorded the role for EMI Classics [now Warner Classics] with Michel Plasson), Eurydice in Offenbach's Orphée aux Enfers in Lyons (also recorded for EMI Classics), and, in Paris, Morgana in Handel's Alcina and the title role in Stravinsky's Le Rossignol. Conductors for these appearances included Pierre Boulez, James Levine, James Conlon, William Christie and Marc Minkowski.

NOTE: Limited Edition

***** Five Stars Recording of the Month (BBC Music Magazine April 2004 on the French Arias)

"Natalie Dessay is a force of nature. A consummate artist, too, who takes risks up on the high vocal wire when other singers woudl be playing it safe down in the ring."
(BBC Music on the French Arias)

"Dessay's facility with ornamentation and giddy high notes, and her sense of French style are unbeatable. So this is an album not be missed for fans of great singing, or for anyone looking to explore some less-traveled roads of French opera." (AllMusic on the French Arias)

"Dessay's voice is light, and while she may not have the vocal heft of many of the singers who take on these roles, the delicacy and youthfulness of her voice are often ideally suited to the characters' tenuous emotional conditions, particularly Lucia, Elvira, and Giulietta. She has plenty of substance to easily soar over the orchestra, though, and her coloratura is absolutely secure. The overall impression is that she has nothing to prove, she's simply using her superb instrument to deliver what the composer asked for, with assurance, intelligence, and passion. Evelino Pidò leads Concerto Köln and Europäischer Kammerchor in performances that match Dessay's intensity." (AllMusic on Italian Arias)


Massenet: Manon
Suis-je gentille ainsi ? (2:52)
Obéissons quand leur voix appelle (2:59)
Rire toujours ? Vous vous trompez… (3:55)

Thomas: Mignon
Je suis Titania la blonde (5:59)

Massenet: Chérubin
Vive amour qui rêve (4:12)

Boieldieu: La fête du village voisin
Profitez de la vie (2:30)

Offenbach: Robinson Crusoë
Conduisez-moi vers celui que j'adore (3:58)

Rossini: Le comte Ory
En proie à la tristesse (9:59)

Donizetti: La fille du régiment
C'en est donc fait… Salut à la France ! (8:33)

Gounod: Roméo et Juliette
Ah ! Je veux vivre (3:35)

Thomas: Hamlet
A vos jeux mes amis (13:34)
Le voilà, je crois l'entendre (4:56)

La Traviata, opera
E strano!... Ah, fors'è lui...
Follie! Follie... Sempre libera

I Puritani, opera
O rendetemi la speme
Qui la voce sua soave
Vien diletto

Maria Stuarda, opera
Allenta il piè, Regina
Oh nube che lieve
Nella pace del mesto riposo

Rigoletto, opera
Gualtier Maldé... Caro nome

I Capuleti e i Montecchi, opera
Eccomi in lieta vesta
Oh! quante volte

Lucia di Lammermoor, opera
Eccola... Il dolce suono
Ardon gli incensi
S'avanza Enrico
Spargi d'amaro pianto

Gounod: Je Veux Vivre - Natalie Dessay