Chamber Symphony / In the hours of the New Moon
$30.00
Out of Stock2-4 weeks add to cart
ROSLAVETS
Chamber Symphony / In the hours of the New Moon
BBC Scottish Symphony Orchestra / Ilan Volkov
[ Hyperion / CD ]
Release Date: Thursday 23 November 2006
This item is currently out of stock. We expect to be able to supply it to you within 2 - 4 weeks from when you place your order.
"A major new discovery from a much-maligned Soviet composer. Often spoken of as a fast-rising young star, Ilan Volkov will win many friends here for the Russian composer Nikolay Roslavets, a figure whose early success was countered when he later fell foul of the authorities (finally being forced to make a living training military bands). A sad, fascinating story and a thrilling disc." Gramophone Magazine Editor's Choice - December 2006
'Superbly played and recorded....a 'best of the year' release' (Classical Source.com)
"A major new discovery from a much-maligned Soviet composer. Often spoken of as a fast-rising young star, Ilan Volkov will win many friends here for the Russian composer Nikolay Roslavets, a figure whose early success was countered when he later fell foul of the authorities (finally being forced to make a living training military bands). A sad, fascinating story and a thrilling disc."
Gramophone Magazine Editor's Choice - December 2006
As late as 1982 Soviet musicologists claiming any significance for Nikolay Roslavets were vigorously suppressed. Only in 1990 was his unmarked grave identified. How many scores were lost when his flat was ransacked just after his death in 1944? The ruthless vengeance of a reactionary proletariat—branding Roslavets, himself born of peasant stock and a fervent 1917 revolutionary, a mere pedlar of bourgeois 'art for art's sake'—has fortunately now given way to a gradual recognition of the very real significance of this 'Russian Schoenberg'.
In the hours of the New Moon is an early work, probably dating from Roslavets's student days at the Moscow Conservatory. Already present is a developed musical awareness, as French Impressionism and the heady orchestral textures of Richard Strauss are subsumed into a Scriabin-esque unity of considerable stature.
The Chamber Symphony of 1934/5 (not to be confused with the 1926 fragment of the same name which was reconstructed and recorded in the 1990s, before the manuscript of the present work was discovered) is without doubt Roslavets's most significant symphonic work. Here recorded for the first time, this major work employs nine solo woodwind, two horns, trumpet, piano, string quartet and double bass to great effect. The closest analogy is perhaps to Schoenberg's first Chamber Symphony (similarly scored), but alongside elements of conscious homage Roslavets add his own magical sprinkling of Russian folksong, sardonic worldliness and symphonic jazz.
