Mass in B minor

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J. S. BACH
Mass in B minor
Carolyn Sampson, Rachel Nicholls (sopranos) Robin Blaze (alto) Gerd Tark (tenor) / Bach Collegium Japan / Masaaki Suzuki

[ BIS SACD / 2 Hybrid SACD ]

Release Date: Saturday 1 September 2007

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GRAMOPHONE MAGAZINE AWARD FINALIST 2008 - Baroque Vocal - "Among the handful of best recordings made, regardless of style." (MusicWeb Jan 2008)

"…this is a rounded and impressive reading whose "Dona nobis pacem" encapsulates the best of Suzki: committed, life-affirming and generous." Gramophone Magazine, February 2008

"The choir is small enough, two/three to a part, to project great clarity and detail - 'Osanna' is delightfully exuberant - though elsewhere Suzuki's tempos are rather deliberate…" BBC Music Magazine, January 2008 ****

"This is, as you would expect from Masaaki Suzuki, a B minor performance of extraordinary devotional weight, as its resonant surround sound irradiates the score in a patiently constructed explication. The reflective objectivity may seem a little too tantalising as the strangely uncharacterised 'Christe eleison' duet is dogged by the kind of over-regulated articulations in the strings from which Bach Collegium Japan can still suffer.
Yet, after the somewhat lugubrious Kyrie, the Gloria fairly crackles and Suzuki's careful voicing between singers and instrumentalists generates extraordinary revelations (such as the consoling beauty of the 'Qui tollis' and, later, a remarkable reading of the Sanctus). The choral movements are admirably unhurried but purposeful.
The solo movements are more variable: intonation takes time to settle early on, especially in the 'Laudamus te', and the 'Quoniam' is shorn of its eloquent grandeur in a prosaic romp, but 'Et in unum Dominum' reveals its expectant delights, as does Blaze's heart-stopping Agnus Dei.
Comparing this to Frieder Bernius's vital account with his Stuttgart forces (see below), the over-riding feeling with Suzuki is that generic beauty of sound, 'good judgement' and expert production (though the stereo picture is preferable to the undefined Super Audio) are collectively not quite enough. Preference remains with Bernius whose reverence for Bach's consummate compendium brings greater inner from the expert soloists here - just a touch more quality. Still, this is a rounded and impressive reading whose 'Dona nobis pacem' encapsulates the best of Suzuki: committed, life-affirming and generous." Gramophone Classical Music Guide, 2010

View the complete listing of the recordings of BCJ and Masaaki Suzuki on BIS