Masses (Incls 'Messa sopra l'aria della Monica')

"Roberto Loreggian delivers very good performances. Many pieces are quite short, in particular the Kyrie and Christe settings, and they can appear quite short-winded. The fact that the are alternated by the appropriate plainchant helps to prevent that. The singing of the Schola Gregoriana is bright and clear. Of course, it would be nice to hear all pieces within the liturgical context for which they were intended. To my knowledge no such recording exists. So we have to be satisfied with this recording. The quality and variety of Frescobaldi's music and Roberto Loreggian's level of playing is such that that's no tall order. If these two disc reflect the quality of this whole project we are in for a treat."
Bargain of the Month MusicWeb Oct 2010

Girolamo Frescobaldi was born in Ferrara in 1583, and worked for the influential and wealthy Este family. Ferrara at this time had become the centre for the modern arts and the musical avant-garde. Virtuoso singing and playing flourished, and it was into this heady atmosphere that the young Frescobaldi cut his teeth.

In 1608 he took the position of organist at St Peter's Basilica in Rome. In 1615 a new basilica was built with two fine organs upon which Frescobaldi performed his famous improvisatory toccatas during ceremonial occasions. In Rome at this time he mingled with other major figures in the artistic community including Bernini and Pietro da Cortona.

Although Frescobaldi was one of the earliest composers to make keyboard compositions his speciality, he was also expected to provide vocal and choral works for his patron.

On the third volume of the Brilliant Classics Frescobaldi Edition are two Masses that have survived in manuscript partbooks, inscribed 'G.F.di', which scholars believe is a reference to Frescobaldi. It is likely that these masses were performed in the basilica, and Frescobaldi uses popular songs as the basis for both works. One is a song of a girl pleading with her mother not to send her to a convent, the other a song composed for the wedding of the Grand Duke of Tuscany in 1589. Both works are beautifully crafted examples of late 17th-century Italian church music

Recording dates from 2006, new release

Comprehensive booklet note with sung texts and translations

Other volumes in the Brilliant Classics Frescobaldi Edition: Canzone (93766) and Toccatas and Partitas (93767