[ Alia Vox / CD ]
Release Date: Saturday 10 October 2009
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"…there's a surprising homogeneity of sound and style throughout - testament to Figueras and Savall's innate musicality, artistic vision and spiritual harmony in a lifetime of collaboration and discovery." BBC Music Magazine, September 2009 ****
La Barcha d'Amore is an eclectic, contrasting selection of some of the most beautiful vocal and instrumental music inspired by mythology and 17th-century European love poetry. Music of time and memory, performed by Montserrat Figueras and Jordi Savall, together with Ton Koopman, Hopkinson Smith,Andrew Lawrence-King and other members of the ensemble Hespèrion XX (which in 2001 became Hespèrion XXI) and the orchestra Le Concert Des Nations, have selected recordings that they made from 1976 to 1996 for the labels Emi Electrola, Dhm,Astrée and Auvidis, and from 1998 to 2008 for Aliavox. This anthology, contains vocal pieces directly related to the theme of love, such as the innovative Airs for the recitar cantando of Giulio Caccini's Le Nuove Musiche, the evocative tonos humanos by Spanish Baroque composers Sebastián Durón, Juan del Vado and Juan Hidalgo, Monteverdi's sublime Lamento della Ninfa, the mysterious folia Yo soy la locura by Henri du Bailly, not forgetting the touching Elizabethan lullaby and the tender melody Une jeune fillette, both by anonymous authors, but equally remarkable for their great beauty and depth of emotion. The various instrumental pieces, with such evocative titles as the Gaillarde "La Barcha del mio Amore" by Giacomo de Gorzanis, Samuel Scheidt's Pavane and his "Courant dolorosa", the Elizabethan "Desperada" and the highly popular improvisation piece, "Greensleeves", as well as the great Jean-Baptiste Lully's Rondeau from Le Mariage forcé and the Chaconne from L'Amour Médecin, provide the necessary complement to the vocal pieces, resulting in a great variety of sources and contrasting characters. The Barcha d'Amore is the personal testimony of Jordi Savall's unwavering and rigorous commitment to the performance of music from the Middle Ages to the age of Classicism using 'historically informed' instruments and performance techniques, which emerged in the 1970s.Those years marked the beginning of a great revival in the performance of pre-Romantic music, a continuing revival which offers the possibility of retrieving an important cultural legacy.
Giacomo de GORZANIS La Barcha del mio amore (Gallarda);
Giulio CACCINI Amor ch'attendi,Alme luci beat, Non ha'l ciel;
Biaggio MARINI Passacaglio;
MONTEVERDI Lamento della Ninfa (Canto Amoroso); Non havea febo ancora, Lamento della ninfa, Si tra sdegnosi pianti
Samuel SCHEIDT Paduan Dolorosa A 4 Voc. Cantus V, Courant Dolorosa A 4 Voc. Cantus IX
Sebastian DURON Sosieguen decansen;
Juan del VADO No te embarques,Ay que merio de Amor
Anon (ca 1580) Desperada; (ca 1600) Lullaby: My Little Sweet Darling, ( ca 1640) Greensleeves To A Ground
Anon / Savall Une Jeune Fillette;
LULLY Rondeau, Le Mariage Forcé;
du BAILLY La Folia Yo Soy la Locura;
LULLY Chaconne, L'Amour médecin"