Symphony No. 2 / Scarlattiana

"...under Noseda's guidance there is cohesion, drive and passion, and the playful Scarlattiana (1926) reveals Casella's spirited allegiance to the clarity and perkiness of neo-classicism." The Telegraph, 13th June 2010 ***

"...this is a remarkable and engaging work in its own right, with some striking features. In particular, the beautiful opening of the final 'Epilogo' is breathtakingly beautiful...the BBC Philharmonic and Gianandrea Noseda are both committed and convincing advocates in the premiere recording of this complex score." BBC Music Magazine, July 2010 ****

"This 50-minute would-be epic is given a splendidly forthright performance by Gianandrea Noseda and the BBC Philharmonic...[in the concerto] Martin Roscoe is a witty, trenchant piano soloist and the Chandos sound brings out all the piquancy of Casella's artfully un-18th century orchestration." Gramophone Magazine, August 2010

"Casella's music isn't too often heard here, but the BBC Philharmonic and its Italian maestro, Gianandrea Noseda, are trying to make a difference...Mahler is an evident influence, particularly in the fourth movement. Though styled a finale, it is followed by an Epilogo of hushed beauty, building to a massive, affirmative, organ-buttressed close." Sunday Times, 11th July 2010 ***

As part of the Musica Italiana series, the BBC Philharmonic and Gianandrea Noseda perform two important works by Alfredo Casella, a largely forgotten Italian composer who was actually one of the most important of his generation. Italian composers in the early years of the twentieth century were not much interested in the symphony. Casella, however, was a major exception. On the advice of Giuseppe Martucci, the thirteen-year-old Casella had been sent to the Paris Conservatoire where, alongside outstanding fellow students such as Maurice Ravel and George Enescu, he received the all-round professional training that would not have been available to him in Italy.

He was much influenced in his early piano pieces not only by his composition teacher, Gabriel Fauré, but also by Debussy and Ravel. His next stylistic allegiance, with the Russian Nationalists, was also a product of his Parisian environment, not least by way of the formative friendship with Ravel. But in his passion for the music of Gustav Mahler he was, in French circles at least, more or less on his own. As Mahler was moved to learn when he first met Casella, in Paris in 1909, the young composer knew his symphonies 'by heart.' Symphony No. 2 in C minor is dedicated to George Enescu, and here receives its premiere recording. Many examples of themes, harmonic colours, and orchestral sounds derive directly from the music of his hero figure, Mahler, but no one who knows the two composers could ever mistake one for the other. Casella has his own distinctive personality and his own agenda, and his passion turns into exhilarating frenzy.

Drawing from as many as ninety of the hundreds of Scarlatti sonatas available to him, in the neoclassical Scarlattiana, Casella presents an abundance of melody, the work's general light-heartedness effectively offset by such thoughtful episodes as the matching slow introductions to the opening Sinfonia and the Finale.

These two orchestral works demonstrate Casella's fascinating tonal language. They are beautifully conducted by Gianandrea Noseda, a long-time champion of Casella's works.