War Requiem (Complete recorded in 2011)

War Requiem (Complete recorded in 2011) cover $41.00 Out of Stock
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BENJAMIN BRITTEN
War Requiem (Complete recorded in 2011)
Sabina Cvilak (soprano), Ian Bostridge (tenor), Simon Keenlyside (baritone) / London Symphony Chorus, London Symphony Orchestra, Gianandrea Noseda

[ LSO Live SACD / 2 CD ]

Release Date: Friday 10 August 2012

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"Keenlyside is excellent throughout...Decisive and confident, the soprano Sabina Cvilak has the Slavic edge to her voice that has seemed hard-wired into the part since the incomparable Vishnevskaya"
(Gramophone)

"[Noseda] delivers it afresh as a scintillating achievement...Sabina Cvilak's soprano has the focus, though not always the required gravitas, while tenor Ian Bostridge brings a piercing sincerity to all his solos...Keenlyside takes a different approach: sonorous, commanding, but sometimes lacking the necessary bitter edge...Nevertheless, this is an important issue: Noseda's judgement of pace is unerring, and the orchestra and chorus simply superb."
(BBC Music)

"Noseda's live performance seeks to take the audience on a journey from the edge of consciousness to the blazing fires of the battlefield...Bostridge spins a beautiful line in the tenor's lyrical passages...Keenlyside is excellent throughout...Decisive and confident, the soprano Sabina Cvilak has the Slavic edge to her voice that has seemed hard-wired into the part since the incomparable Vishnevskaya"
(Gramophone)

"Noseda offers an account rich in drama...forging a sense of momentum and cohesion..Few singers deliver text with as much conviction and engagement as Bostridge, who finds the right tone for the bitterness of war...[Keenlyside] sounds every inch the soldier, conveying the pain of war and a bleak sense of loss...Cvilak is very good, particularly fine in floating her high notes in the 'Lacrimosa'..this performance is incredibly moving"
(International Record Review)

"the two-CD set certainly captures the thrill of the moment in a reading notable both for its hushed intensity and dramatic sweep. Noseda's an Italian, after all, and the clamorous Dies irae and supercharged choral prayers wouldn't disgrace a Verdi opera...The LSO and the London Symphony Chorus are the performance's rock: they start on top form and stay that way. Another essential recording, with or without the Britten centenary."
The Times