Goldberg Variations
$35.00
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J. S. BACH
Goldberg Variations
Steven Devine (harpsichord)
[ Chandos Chaconne / CD ]
Release Date: Tuesday 31 May 2011
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The 'Goldberg' Variations by Bach are considered among the most commanding and inspired sets of variations of any period, and one of the most ambitious compositions ever written for harpsichord.
They are performed here by Steven Devine on a double-manual harpsichord by Colin Booth (2000) after Fleischer (1710). The co-director of the Orchestra of the Age of Enlightenment, Devine also plays the harpsichord with The Gonzaga Band and London Baroque, and has been performing Bach's Variations extensively in the UK.
The 'Goldberg' Variations begin with a highly embellished but unpretentious Aria, around which Bach builds a series of thirty variations that range from the high-spirited to the introspective. The epic scope of this work is not only a consequence of its length, but also of the enormous variety that is presented here - in terms of both style and mood - and of the way the whole piece is held together by the constant underlying theme of the opening Aria. The variations were very advanced for their time, looking forward to the much later 'Diabelli' Variations by Beethoven as well as the 'Corelli' Variations by Rachmaninoff.
The set of thirty variations was supposedly commissioned by Baron von Keiserling, the Russian ambassador to the Dresden court, to help him get through his many nights of insomnia, and named after the baron's harpsichordist, who played them. However, as the set was published in 1741, and Goldberg was born in 1727, unless he was an exceptionally talented harpsichordist, the more likely explanation was that Bach wrote them for his son Wilhelm Friedemann to play, and perhaps donated a few to the young Goldberg.
Whatever the truth of its origins, there is no denying the exceptional excellence of the work. In the words of Steven Devine: 'This is a wonderful collection of dance movements, interspersed with passionate cannons and virtuosic hand-crossings, all framed by a simple unpretentious Aria.'
"He brings a scholarly authority to this pillar of the repertoire, offering in his sleeve notes many insights into Bach's thinking behind the 30 variations, an authority he matches with a masterly technique at the keyboard, turning this into a bravura display of the harpsichordist's art. Highly recommended." (The Observer)
"this account by Steven Devine, perhaps best known as the keyboard player and sometimes director of the Orchestra of the Age of Enlightenment, is scrupulous. Devine plays a modern two-manual harpsichord, but one that's modelled on an early 18th-century instrument; his playing is adroit and his attention to every detail of the ornamentation punctilious." (Guardian)
"Devine gives the impression of always having the room he needs to allow the music, its ornamentation and its sometimes devilish figuration to breath comfortably...Devine has the technique, the imagination and the mastery of period style to give a thoroughly satisfying performance...Devine's reading is worthy of consideration alongside other distinguished recent traversals" (Gramophone)
