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Johann Sebastian Bach was a member of a family that had for generations been occupied in music. His sons were to continue the tradition, providing the foundation of a new style of music that prevailed in the later part of the eighteenth century. Johann Sebastian Bach himself represented the end of an age, the culmination of the Baroque in a magnificent synthesis of Italian melodic invention, French rhythmic dance forms and German contrapuntal mastery.
Prelude in E Flat Major, BWV 552
Kyrie, Gott Vater in Ewigkeit, BWV 669
Christe, aller Welt Trost, BWV 670
Kyrie, Gott heiliger Geist, BWV 671
Kyrie, Gott Vater in Ewigkeit (alio modo), BWV 672
Christe, aller Welt Trost, BWV 673
Kyrie, Gott heiliger Geist, BWV 674
Allein Gott in der Hoh' sei Ehr', BWV 675
Allein Gott in der Hoh' sei Ehr', BWV 676
Fughetta super: Allein Gott in der Hoh' sei Ehr', BWV 677
Dies sind die heil'gen zehn Gebot', BWV 678
Fughetta super: Dies sind die heil'gen zehn Gebot', BWV 679
Wir glauben all' an einen Gott, BWV 680
Fughetta super: Wir glauben all' an einen Gott, BWV 681