Mendelssohn in Birmingham - Volume 1 [Incls Symphonies 4 & 5]

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MENDELSSOHN
Mendelssohn in Birmingham - Volume 1 [Incls Symphonies 4 & 5]
City of Birmingham Symphony Orchestra, Edward Gardner

[ Chandos SACD / Hybrid SACD ]

Release Date: Thursday 1 May 2014

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'Mendelssohn in Birmingham' is an exciting new recording project with the CBSO and its Principal Guest Conductor, Edward Gardner. It celebrates Mendelssohn's special relationship with the city's Town Hall and will feature the complete symphonies recorded there. It was a venue much loved by Mendelssohn and saw him conduct many of his own works there, including premieres. 'Mendelssohn in Birmingham' also encompasses a major concert series at the Town Hall which will run alongside these recordings.

Inspiration for The Hebrides, recorded here in Vol. 1, sprang from experiencing the seas and landscapes of the Scottish Western Isles. The famous wave-like repeated patterns of its opening set the scene for a vivid work that has been a template for composers of 'sea' music ever since. Symphony No. 5 'Reformation' was completed in 1832, and although the last of his numbered symphonies, it was the second to be composed. Typically for Mendelssohn, he had doubts about its quality and soon wrote it off. This self-criticism is highly exaggerated of what is a finely crafted and original work. Similarly, despite the success of its premiere in 1833, Mendelssohn significantly revised and eventually abandoned his 'Italian' Symphony, No. 4. Fortunately the original score from the premiere was recovered and published, posthumously, in 1851. The symphony is relatively short and its pervasive lightness of touch lends it a unique character and charm.

"So it's three cheers for this disc, and all the more exciting that this is only Volume 1. It's a nice bonus that the cover of the disc is a drawing of Birmingham by Mendelssohn himself, and the essays in the booklet are up to Chandos' usual very high standard" (Recording of the Month MusicWeb April 2014)

"Gardner's approach is entirely logical, given Mendelssohn's markings. The Hebrides is very dramatically played...All in all a fine trio of performances, individual for sure, and an encouraging start to what I hope will be an extended series." (Gramophone)
"Unsurprisingly, the quality of the playing here is very high. I particularly enjoyed the timpani roars in The Hebrides Overture. In the Italian Symphony, Gardner coaxes elegant phrasing from the strings...In contrast, [he] allows the Reformation Symphony its full measure of grandeur and intensity." (BBC Music)

"[Gardner] and the Birminghamsters catch the hazy "Scottish" atmosphere of the Hebrides, and he is expansive in the outer movements of the Reformation, with its quotation of the Dresden Amen and Luther's chorale, Ein feste Burg. The Italian Symphony is exhilaratingly delivered - with poetic solos in the andante con moto - especially the breathless Saltarello presto finale." (Sunday Times)

Tracks:

Overture, The Hebrides [9:51]
Symphony No. 5 Reformation [27:40]
Symphony No. 4 Italian [28:12]