Wagner Duets

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RICHARD WAGNER
Wagner Duets
Cheryl Studer, Gundula Janowitz, Josephine Veasey, Thomas Stewart, Helgar Dernesch, Dietrich Fischer-Dieskau, Peter Hofman, etc

[ Australian Deutsche Grammophon SBS Eloquence / 2 CD ]

Release Date: Thursday 20 March 2014

Looking back at Tristan und Isolde twenty years after its composition, Wagner told his wife Cosima: 'My model was Romeo and Juliet - nothing but duets!' He was invoking Bellini's opera I Capuleti e i Montecchi, which he had conducted many times as a young man. Indeed, there had been much in the Italian master's legacy that had impressed the young Wagner, including the 'long, long, long melodies' that Verdi described, and the technique of melodic sequence in which a phrase is repeated with rising pitch and heightened effect. The erotic potential of such procedures is famously exploited in the 'night of love' in Act II of Tristan und Isolde. And while this might well claim to be Wagner's best-known duet, this innovative 2CD set, compiled by Australia's Wagner expert Peter Bassett (who also contributes the notes) brings together a collection of dialogues, musical conversations and duets from the major Wagner operas.

The recordings are among the finest ever made. The singers are a Who's Who of great names from the sixties, seventies and eighties - Fischer-Dieskau, Janowitz, Vickers, Thomas, Price, Kollo… with conductors like Karajan, Kleiber and Jochum directing these revelatory performances. The breadth and diversity of the emotion on this double album is matched by the generous playing times: more than two hours and forty minutes of music on a 2CD set.

"Fischer-Dieskau's interpretation is as musical, as richly varied, as intelligent as one could hope for […] The great and unexpected revelation is Domingo's Walther … he provides the most lyrically ardent Walther in any of the sets to date, seconding his conductor in his long-breathed, eloquent phrasing." (Gramophone on Meistersinger)

"the chivalrous James King will impress you as being one of the purest, most unidiosyncratic Lohengrins you'll have heard" (gramophone on Lohengrin)

"Nilsson rises to great heights … is predictably glorious in her pleading for mercy to be shown to her lover and Windgassen is equally good in his defiance and contrition" (Gramophone on Tannhauser)

Tracks:

:

Wie aus der Ferne längst (from Der Fliegende Holländer)
Das susse Lied verhallt (from Lohengrin)
Gruss Gott, mein Junker (from Die Meistersinger von Nürnberg)
Grüß Gott, mein Evchen! (from Die Meistersinger von Nürnberg)
Geliebter, sag', wo weilt dein Sinn? (from Tannhäuser)
Dir töne Lob (from Tannhäuser)
Ach! Ach! Tiefe Nacht! Wahnsinn!...Furchtbare Not! (from Parsifal)
Du siehst, das ist nicht so (from Parsifal)
Wotan! Gemahl! Erwache (from Das Rheingold)
Schlafst du, Gast? Ich bin's! (from Die Walküre)
Winterstürme wichen dem Wonnemond (from Die Walküre)
Du bist der Lenz (from Die Walküre)
Siegmund heiß ich und Siegmund bin ich! (from Die Walküre)
So tatest du, was so gern zu tun ich begehrt (from Die Walküre)
Nicht streb', o Maid, den Mut mir zu stören (from Die Walküre)
Leb wohl, du kühnes, herrliches Kind! (from Die Walküre)
Zu neuen Taten, teurer Helde (from Götterdämmerung)
Mehr gabst du, Wunderfrau, als ich zu wahren weiß (from Götterdämmerung)
Schläfst du, Hagen, mein Sohn? (from Götterdämmerung)
O sink hernieder, Nacht der Liebe (from Tristan und Isolde)
Tatest du's wirklich? (from Tristan and Isolde)