Liszt: Piano Concertos

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FRANZ LISZT
Liszt: Piano Concertos
Alexandre Kantorow (piano) Tapiola Sinfonietta, Jean-Jacques Kantorow

[ BIS SACD / Hybrid SACD ]

Release Date: Tuesday 4 August 2015

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As a teenager, Franz Liszt created at least two virtuosic concertos for piano and orchestra, scores which now are lost. The three works gathered here first saw the light of day only a few years later, however, during the 1830's when Liszt's career as a young, travelling virtuoso was at its height. The two numbered concertos, which Liszt revised extensively before letting them be published some 25 years after their conception, frame the single-movement Malédiction for piano and strings which Liszt composed in 1833 and revised in 1840, but which was never published in his lifetime. Stepping into Liszt's shoes for the present recording is Alexandre Kantorow, another very young man. Born in 1997, Alexandre is here supported by his father Jean-Jacques Kantorow conducting the Tapiola Sinfonietta, a team with a number of highly acclaimed recordings to their credit. The recording is Alexandre's first for BIS, as well as being his début concerto disc, and represents a remarkable achievement by a hugely promising talent, as well as being a vibrant and exciting account of three impassioned scores.

"Kantorow's approach rejects bombast in favour of an equable, mellow-toned artistry that's admirable in itself…Kantorow's way with [the Second Concerto], at once powerful and lucid, convinces strongly, and throughout he is supported by orchestral accompaniments - the Tapiola Sinfonietta conducted by Kantorow's father Jean-Jacques - of top-flight alertness and precision." BBC Music

"Kantorow has a marvellous leggiero touch, but when Liszt asks for con furore, ffff avec enthousiasme, il più presto possible, then Kantorow does not hold back with thrilling bravura, aided by the exemplary support of his violinist-conductor father…it is hard not to be impressed by Kantorow in the concertos, but the Malédiction is why you should buy the disc." Gramophone

Tracks:

Malédiction, S121 Op. 452
Piano Concerto No. 1 in E flat major, S124
Piano Concerto No. 2 in A major, S125