Catone in Utica (complete opera)

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Catone in Utica (complete opera)
Max Emanuel Cencic, Franco Fagioli, Valer Sabadus, Martin Mitterutzner / Il Pomo D'oro, Riccardo Minasi

[ Decca / 3 CD Box Set ]

Release Date: Saturday 1 August 2015

World premiere recording of an opera by a Neapolitan master fast gaining a first-rate modern reputation. Max Emanuel Cencic gathers around him an intoxicating mix of stratospheric countertenors, a top tenor, and an orchestra who sizzle with excitement for a performance of an opera that will appeal to all fans of Baroque music's unsung heroes.

As March's 'Five Countertenors' album showcased, the age of the countertenor is here. Max Emanuel Cencic has gathered around him, once again, a superb cast to bring Vinci's "Catone In Utica" to vivid life.

"Vinci is the Lully of Italy: true, simple, natural, expressive"- for generations Leonardo Vinci was just another obscure Baroque composer: this first-rate recording will lift the veil from this forgotten genius of Italian opera, and from the mysterious all-male world of the 18th-century Roman stage.

With a libretto by Metastasio, Vinci's opera was unveiled in Rome in 1728 with an all-male cast (women having been banned from the stage by the Pope): countertenors took the three heroic male roles as well as the female parts.

As well as Cencic (Arbace), the other superb countertenors are Franco Fagioli (Cesare), Valer Sabadus (Marzia), and Vince Yi (Emilia). Tenor Juan Sancho takes the title role (Catone) in this stage work about Julius Caesar's defeat of the Republican forces led by Marcus Portius Cato in 46BC, and Riccardo Minasi, who enjoys a considerable reputation for his recordings of Baroque repertoire, conducts.

"there is no disputing everyone's complete dedication to the cause. Cencic's firm yet sensitively balanced singing conveys the pathos of Arbace's numerous expressions of unrequited love...Sancho's beefy tenor aptly characterises Cato's scepticism about reaching a diplomatic resolution...Il Pomo d'Oro, directed by Riccardo Minasi, vividly characterise each scene with theatrical zest." (Gramophone)

"played with unflagging energy." (Financial Times)