Lutoslawski: Piano Concerto / Symphony No 2

"Rattle has always been a passionate Lutoslawskian, and his Berliners enjoyed a close relationship with the composer, who recorded his most important orchestral scores with them. The symphony, a dark, brooding work from 1967, has flashes of brilliance in the orchestral writing, which could hardly be better played and conducted today." (Sunday Times)

"Zimerman has continued to perform the concerto regularly, living with it, refining his interpretation. The piano part was always perfectly tailored to his supreme technique...the Berlin Philharmonic's realisation of the flickering, glinting orchestral writing is just as meticulously detailed as the jewel-like precision of the piano playing." (The Guardian)

"Zimerman injects both delicacy and virtuosity into the dialogue with Simon Rattle's orchestra, and also holds the key, as probably only a Pole could do, to the serious yet wistful undercurrents of this work. Yet Rattle's own input is distinguished…and who better to summon up [the warmth of the work] than the luxurious-sounding Berliners?" (BBC Music)

"Partnered with exemplary polish and unstinting dedication by Rattle and the Berliners, Zimerman is at his patrician, dazzingly articulate best, locating even greater reserves of concentration and rapt hush than previously in the slow movement…[the Second Symphony is] delivered with riveting technical mastery here…a very fine issue" (Gramophone Editor's Choice Sept 2015)

"Elusive and restless, Lutoslawski's Piano Concerto is like a siren luring the inquisitive listener. Nothing is obvious in this airborne music, as its ideas gather and disperse at speed, like swarming insects, only touching the ground in the last few minutes.Simon Rattle and the Berlin Philharmonic are inspiring interpreters and the music takes wing." (Financial Times)