Bach: Secular Cantatas Vol V: Birthday Cantatas [BWV213 & BWV214]

Bach: Secular Cantatas Vol V: Birthday Cantatas [BWV213 & BWV214] cover $35.00 Low Stock add to cart

Bach: Secular Cantatas Vol V: Birthday Cantatas [BWV213 & BWV214]
Joanne Lunn (soprano) Robin Braze (counter-tenor) Makoto Sakurada (tenor), Dominik Wörner (bass) / Bach Collegium Japan directed by Masaaki Suzuki

[ BIS SACD / Hybrid SACD ]

Release Date: Sunday 1 November 2015

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Continuing their exploration of Bach's vocal music, Bach Collegium Japan and Masaaki Suzuki have now reached the fifth volume of secular cantatas, with the previous instalment being 'urgently recommended' by the reviewer in Fanfare, and its contents described as 'unusually colourful and vivid […] even by the standards so far set by Suzuki's Collegium Japan' (International Record Review). Both cantatas on the present disc, first performed in 1733, appear to have been part of a campaign to be appointed Court Composer by the Saxon Prince-Elector Friedrich August II. Lasst uns sorgen, lasst uns wachen, BWV 213, also known as Hercules at the crossroads, was composed for the 11th birthday of the Prince-Elector's oldest son, and Tönet, ihr Pauken! Erschallet, Trompeten! BWV 214 in a similar manner celebrated the birthday two months later of his wife, Maria Josepha of Saxony. Both works are so-called 'dramma per musica', in which the vocal soloists are embodying dramatic characters - in the present cantatas these are taken from Greek mythology. Needless to say, Bach rose to the festive occasions, deploying trumpets and timpani (as implied in the title of BWV 214) and horns (in BWV 213) to great effect.

"The choruses exhibit buoyancy as well as beautifully rich and balanced recorded sound. The challenge to modern ears remains the super-'historical' brass…bravely played on instruments without the modern corrective of tuning holes…the effect is something of a double-edged sword in weighing up the beauties of 'authentic' timbre and our expectation these days to hear music 'in tune'." (Gramophone)

"lithe choral singing, balletic rhythms, and a detailed yet transparent sound. Joanne Lunn is agile and fleet as the goddess of War…Robin Blaze is lyrical as the goddess Pallas…Makoto Sakurada's lucid tenor is particularly effective in the rhetorical and declamatory recitatives, while bass Dominik Wörner paints the words to vivid effect." BBC Music


Cantata BWV213 'Laßt uns sorgen. Laßt uns wachen' (Hercules auf dem Scheidewege)
Cantata BWV214 'Tönet, ihr Pauken'