[ Signum / 2 CD ]
Release Date: Friday 22 November 2019
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Tchaikovsky's contemporaries tell us that he was good enough to become a concert pianist, if he had chosen to follow that path. But he preferred to focus on composition, and rarely performed in public concerts. His interest in the piano is mainly to be found in his many pieces for the instrument, and since most of these were suitable for amateurs with solid skills, they sold well and played an important role in building up his fame. Despite this, some view Tchaikovsky's solo piano works as poor quality. Peter Donohoe disagrees, insisting that all music requires performers to find the right approach, so he does not see Tchaikovsky as any kind of exception. He writes:
"It is inexplicable to me that Tchaikovsky's solo piano music should remain so infrequently performed, containing as it does all of the composer's characteristic harmony, his wonderful melodic gift, his capacity for majestic gesture, magically beautiful moments, immense sadness, and passages of extreme excitement. His piano writing is often orchestral in texture, but also demonstrates the direct but very diverse pianistic influences of Liszt and Schumann, and incorporates in an almost naive way folk-style dance rhythms and melodies from Russia. This treasure trove is immensely rewarding to play, whether it be a small-scale salon piece such as the Humoresque Op. 10 No 2, or large in scale, such as is the gigantic Grand Sonata in G Major."
"Donohoe lavishes decades of musicianship and virtuosity on these still underrated works" Sunday Times
"My instant reaction on pushing 'play' and hearing the first bars was 'Ah - this is going to be good'. And so it proves, perhaps the most consistently enjoyable and satisfying recording of Tchaikovsky piano solos of recent years… There's a lightness of touch, a crisp transparency and clarity of texture that sends the opening 'Scherzo à la russe' spinning off into the realms of sheer delight… A very fine issue indeed." Gramophone Editor's Choice Feb 2020
"Donohoe, while never underplaying the Sonata's moments of explosive rhetoric, finds a more poetic, Chopinesque poise…Instead of being rushed off its feet, the final possesses a glorious, Lisztian integrity…Even when Tchaikovsky's Russianness becomes unmistakeable, Donohoe wisely leans more towards the cosmopolitan than overplaying the nationalist card."
BBC Music Magazine Five Stars February 2020 Instrumental Choice
Two Pieces Op. 1
1. Scerzo á la Russe in Bb Major Op. 1 No. 1
2. Impromptu in E Flat Minor, Op. 1 No. 2
3. Capriccio in G Flat major
Six Pieces on One Theme, Op. 21
4. I. Prélude. Allegro moderato
5. II. Fugue à 4 voix. Andante
6. III. Impromptu. Allegro molto
7. IV. March funèbre. Moderato. Tempo di Marcia
8. V. Mazurque. Allegro moderato
9. VI. Scherzo. Allegro vivace
1. Aveu Passionné, Op. Post.
Sonata No. 2 in G Major, Op. 37
2. I. Moderato e risoluto
3. II. Andante non troppo quasi Moderato
4. III. Scherzo. Allegro giocoso
5. IV. Finale. Allegro vivace
6. Humoresque, Op. 10 No. 2
7. Doumka, Op. 59