Piano Quintets

 
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HUMMEL/SCHUBERT
Piano Quintets
Simon Standage (violin), Peter Collyer (viola), Poppy Walshaw (cello), Elizabeth Bradley (double-bass), Susan Alexander-Marx (fortepiano, director)

[ Chandos / CD ]

Release Date: Tuesday 28 January 2014

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This release on the Chaconne label is presented by the leading fortepianist and clavichordist Susan Alexander Max and her ensemble The Music Colllection. World-renowned specialists in the period performance of late eighteenth- / early nineteenth-century music, they bring their expertise to Piano Quintets by Hummel and Schubert. Although otherwise highly contrasting, these works are both notable for their unusual inclusion of the double-bass in place of a second violin, otherwise the traditional piano quintet scoring. Uncertanties surround the composition and publishing dates of the two works and the debate continues as to whether Hummel's slightly earlier work was the inspiration for Schubert's 'Trout'. The Quintet is among Hummel's finest chamber works and shows Hummel at his best. It is well proportioned and inventive, with a wide range of ideas, both humerous and serious. The writing for the piano reflects Hummel's own flamboyant virtuosity on the instrument. The last movement of Schubert's Quintet is a set of variations on the 1817 song Die Forelle (The Trout). The work reveals Schubert's incomprable lyricism in the relaxed outer movements, but popular dance rhythms and a brisk scherzo create drive and passion.

"It's a real joy to hear Schubert's 'Trout' Quintet played on period instruments, including a Viennese piano made in 1814. This instrument, made by Johann Fritz, is one of the stars of this disc on Chandos's Early Music label Chaconne: its slender, buzzy tone is very characteristic of Viennese pianos and it's just the sound Schubert must have had in mind when he composed the quintet… Susan Alexander-Max plays this delightful piano with zest, relishing its colours and expressive potential with just the right kind of rhythmic control. The string players of The Music Collection all use period instruments (or copies of them) and their sound is fine a complement to the keyboard… The performance is devoted and completely convincing. With interesting notes by Alexander-Max and sound that s just about ideal for chamber music, this is a release that I have listened to with tremendous pleasure. Collectors of period-instrument chamber music performances shouldn't hesitate."
Nigel Simeone - International Record Review - February 2014

Tracks:

Johan Nepomuk Hummel

Quintet, Op. 87 in E flat major (Tracks 1-4)

Franz Schubert

Quintet, Op. post. 114, D667 'Die Forelle' (Tracks 5-15)