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Release Date: Friday 3 July 2026
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Carl Maria von Weber's Der Freischütz has enjoyed continuous success since its premiere in June 1821 and rapidly became one of the models for German Romantic opera. In accordance with a tradition that goes back to Mozart's time and which was still very much alive during Weber's lifetime, many transcriptions were made either of the entire work or of extracts from it.
The most important of these was made by Karl Flachs, seemingly as early as 1822, and was published in 1825. It contains an extensive selection of the work's principal numbers, including the overture and the most important arias and choruses.
Der Freischütz, Op. 77, J. 277: Ouverture
Der Freischütz, Op. 77, J. 277: Introduzione. Victoria, der Meister soll leben
Der Freischütz, Op. 77, J. 277: Terzetto con coro. O diese Sonne, furchtbar steigt sie
Der Freischütz, Op. 77, J. 277: Walzer
Der Freischütz, Op. 77, J. 277: Lied. Hier im ird'schen Jammerthal
Der Freischütz, Op. 77, J. 277: Arietta. Kömt ein schlanker Bursch gegangen
Der Freischütz, Op. 77, J. 277: Cavatina. Und ob die Wolke sich verhülle
Der Freischütz, Op. 77, J. 277: Chor der Brautjungfern. Wir winden den JungfernKranz
Der Freischütz, Op. 77, J. 277: Jägerchor. Was glich wohl aud Erden dem Jägervergnügen
Der Freischütz, Op. 77, J. 277: Duetto. Schlem ! halt festlich, ich wil dich
Der Freischütz, Op. 77, J. 277: Terzetto. Wie ? Was ? Entsetzen !
Adagio und Rondo J. Anh.II.31: I. Adagio
Adagio und Rondo J. Anh.II.31: II. Rondo
Walzer mit trio (After Mayenblümlein so schön, Mayenblümlein, so schön, J. 117 No. 3)