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[ Coro / CD ]
Release Date: Friday 3 April 2026
Two multi-choir masses from mid-17th-century Rome (one for Easter, the other one based on Palestrina's motet for Pentecost) complete I Fagiolini's dazzling series exploring the 'Colossal Baroque' and tribute to the 'lost' music of Orazio Benevoli.
Maestro of the Cappella Giulia at St Peter's, Rome, Benevoli's mastery of surround-sound is clear in these very different works. The sheer quality of his music shines through and, sung by a group at the height of its powers, changes our view of 17th-century multi-choir music.
All the masses in I Fagiolini's Benevoli series are premiere recordings.
"This is surely peak I Fagiolini. Having enjoyed all of their large-scale recording projects so far - Striggio, Viadana, Monteverdi - this third and final instalment of Benevoli's 'Colossal Baroque' multi-choir Masses is quite superb. A quick recap if you're new to this: I Fagiolini turn 40 this year, and following a suggestion from musicologist Hugh Keyte, their director Robert Hollingworth has been editing multi-choir Masses by Orazio Benevoli (mid-17th-century, Roman, director of the Capella Giulia in St Peter's) as a three‑album anniversary project.
The two Masses on this third and final Benevoli album are for Easter and Pentecost. The Easter Mass, Missa Angelus Domini, seems to have been based on a motet that is now lost, so I Fagiolini open with an engaging Easter drama instead by the Venetian composer Alessandro Grandi, Plorabo die ac nocte - it's for four singers and comprises many drooping, lamenting phrases that make huge demands of each singer's range. Grandi creates a stark expression of grief (and shock, frankly) setting Mary Magdalene's words 'they have taken away my Lord', and thanks to a flexible, responsive performance these words hit home strongly." Gramophone Editor's Choice
Benevoli, Orazio:
Missa 'Angelus Domini'
Missa 'Dum complerentur'
Grandi, Alessandro:
Plorabo die ac nocte
Palestrina, Giovanni Pierluigi da:
Dum complerentur