CARL REINECKE / EMIL VON SAUER
Reinecke & Sauer: Piano Concertos Simon Callaghan, Sinfonieorchester St Gallen / Modestas Pitrėnas [ Hyperion / CD - due 31/May/2024 ] This is the fourth Romantic Piano Concerto album from Simon Callaghan, and that combination of talents which made his first three so successful - not least a flair for exploring the neglected byways of the Romantic repertoire, and the technique and... |
SERGEY RACHMANINOV
Rachmaninov: Piano Concerto No. 1 / Piano Concerto No. 4 / Rhapsody on a Theme of Paganini, Op. 43 Abbey Simon (piano) / St. Louis Symphony Orchestra / Leonard Slatkin (cond) [ Vox Audiophile Edition / CD - released 15/Dec/2023 ] Rachmaninov was one composer who studied neither law nor medicine (as certain of his musical compatriots had done), but grew up in a musical family and never had any sort of career but a musical one in mind for himself. |
CHARLES GOUNOD
MARBECKS COLLECTABLE: Gounod: Symphonies 1 & 2, Faust Ballet Music Academy of St Martin in the Fields. Conducted by Sir Neville Marriner [ Philips / CD - released 1/Dec/1998 ] Recorded: 1997 Recording Venue: Henry Wood Hall, London |
Academy Of St Martin-In-The Fields, with Felicity Lott (soprano), Westminster Abbey Choir, Ivan Moravec (piano), etc
Amadeus [soundtrack] [ Fantasy / 2 CD Box Set - released 6/Aug/2007 ] Amadeus is a 1984 American period biographical drama film directed by Miloš Forman, and adapted by Peter Shaffer from his 1979 stage play of the same name, in-turn inspired by the 1830 play Mozart and Salieri by Alexander Pushkin. Set in Vienna,... |
W. A. MOZART
Alicia de Larrocha Plays Mozart Alicia de Larrocha (piano), André Previn (piano) / English Chamber Orchestra, The Orchestra of St. Luke's, Sir Colin Davis [ Sony / RCA Classical Masters / 6 CD Box Set - released 13/Mar/2020 ] "...this is a profound reading with many subtleties of touch and altogether a more weighty approach, especially evident in the slow movement. K491 is predictably dramatic. Marriner's orchestra is excellent." classical-music |
VARIOUS COMPOSERS
New Millennium The Choir of St. John's College, Cambridge / Andrew Nethsingha (director) [ Signum / CD - released 24/Nov/2023 ] "Contemporary music and Commissioning have been central features of the last fifteen years at St John's. It's been a joy to work with talented student composers, singers and instrumental- ists; my own musicianship has been greatly enriched by their... |
CARISSIMI / VIVALDI / GLUCK / CALDARA / HANDEL / etc
Arie Antiche: songs and arias Dmitri Hvorostovsky (baritone) Academy of St. Martin in the Fields. Sir Neville Marriner [ SBS Australian Eloquence / CD - released 1/Sep/2005 ] The sequence of Italian operas on this recording take us from the birth of opera at the end of the sixteenth century to the first flowerings of the Classical period nearly 200 years later. The extraordinary power and agility of Dmitri Hvorostovsky's... |
JOHN RUTTER
Gloria, Magnificat & Te Deum Elizabeth Cragg (soprano) & Tom Winpenny (organ) / The Choirs of St Albans Cathedral & Ensemble DeChorum, Andrew Lucas [ Naxos / CD - released 20/May/2011 ] "His festive settings of the Gloria, Magnificat and Te Deum were written over the period 1974-1990. These vivid performances show how thoroughly Rutter can absorb them and make music of exhilarating impact." (Daily Telegraph) |
C. P. E. BACH / J. C. BACH / THOMAS ARNE
Arne, CPE Bach & JC Bach: Harpsichord Concertos George Malcolm (harpsichord) / Academy of St. Martin in the Fields, Sir Neville Marriner [ Decca Australian Eloquence / CD - released 16/Sep/2017 ] There were many worlds in George Malcolm's (1917-1997) universe - organist, harpsichordist, pianist, composer, choral director and conductor - and this one demonstrates his unique skill as a solo performer who, throughout his career, more than any... |
JOHN ADAMS
MARBECKS COLLECTABLE: Adams: Violin Concerto / Shaker Loops Gidon Kremer (violin) / London Symphony Orchestra, Kent Nagano, Orchestra of St. Luke's, John Adams [ Nonesuch / CD - released 1/Oct/2019 ] "Kremer plays the concerto like he can't wait to get to the next phrase. "Committed" just begins to describe his playing. His tone - which in the past I've found nervous and a bit steely - warms up considerably for Adams." ClassicalNet |