Apocalisse, Fantasia for Cello & Orchestra, Suite 'sebastian'

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MENOTTI
Apocalisse, Fantasia for Cello & Orchestra, Suite 'sebastian'
Raphael Wallfisch, cello, Spoleto Festival Orchestra, Richard Hickox

[ Chandos Classics / CD ]

Release Date: Thursday 5 April 2001

This item is currently out of stock. We expect to be able to supply it to you within 2 - 4 weeks from when you place your order.

'His [Menotti's] may be an eclectic style, but this is music for enjoyment… the Chandos recording is clear and refined, making one hope that Hickox and the Spoleto Festival Orchestra will continue their Menotti exploration'.
- Gramophone

'These technically secure and inspired performances are authoritative in the most benign sense of the word.'
- Fanfare

'The sonics… are impressive, with excellent depth, clarity and atmosphere. Hickox and Spoleto (Italy) musicians know what they are about.'
- American Record Guide



This is a live recording made at the 2000 Spoleto Festival

Richard Hickox is one of Britain's leading conductors, recipient of the 1995 Philharmonic Society Music Award, three Gramophone Awards, the Diapason d'Or, the Deutsche Schalplattenpreis and a Grammy (for Britten's Peter Grimes). He is founder and Music Director of the City of London Sinfonia and (with Simon Standage) of Collegium Musicum 90, Associate Conductor of the London Symphony Orchestra and Conductor Emeritus of the Northern Sinfonia.

Operatic engagements have included Los Angeles Opera, Rome Opera, Komische Oper Berlin, Royal Opera Covent Garden, Scottish Opera, Opera North and English National Opera. He has guest conducted in Washington, San Francisco, Dallas, Tokyo (New Japan Philharmonic), and the radio orchestras of Munich, Cologne, Hamburg, Stockholm, Copenhagen and Paris (Orchestre philharmonique), the Berlin Symphony, Residentie Orchestra The Hague, and the Camerata Academica Salzburg at the Vienna Easter Festival.

Richard Hickox records exclusively for Chandos, for whom he celebrated his one hundredth recording in 1997. Future plans include works by Grainger, Rubbra, Bruch, Vaughan Williams, Haydn, Delius and Schmidt.

Gian Carlo Menotti was born in Italy, in a country town on Lake Lugano. His father was an area businessman of some accomplishment, and his mother a talented amateur musician. In 1924, at the age of thirteen, he entered the Milan Conservatory. At this point the youthful composer had already written two operas. He left for the USA, entering the Curtis institute of Music in Philadelphia where he developed a close relationship with a fellow student, Samuel Barber. In 1935 Menotti's one-act opera buffa Amelia Goes to the Ball was premiered with such success that the Metropolitan Opera engaged it for the following season.

The success of Amelia brought Menotti a commission from NBC for a radio opera, The Old Maid and the Thief. During World War II Menotti remained in America, although retaining his Italian citizenship. There he wrote his Piano Concerto in F and a dramatic ballet, Sebastian.

After the War, the successes came at an astonishing pace. The Medium ran for 211 performances on Broadway, followed by The Consul, his first full-length opera and thought by many to be his greatest work. The NBC commission of a Christmas opera for television resulted in Amahl and the Night Visitors, a work that has retained public recognition since its premiere on Christmas Eve, 1951. The same year saw the composition of the work Apocalisse, for orchestra. The Fantasia is a work dating from 1975 and is recorded here for the first time. It is a work displaying the noble virtuosity and striking lyricism that has made Gian Carlo Menotti's music so universally beloved.

Tracks:

Apocalisse 20:46
Apocalypse
Symphonic Poem for Orchestra
I Improperia. Adagio, solenne - Allegro - Adagio - Allegro molto - Andante maestoso - Allegro 11:29
II La città celeste. Adagio, ma non troppo, molto cantabile 4:23
III Gli angeli militanti. Allegro giocoso ma non troppo - Lento 4:51

premiere recording
Fantasia for Cello and Orchestra 15:34
Allegro moderato

Suite from 'Sebastian' 24:31
for Orchestra
I Introduction. Adagio - Allegro molto - Adagio 2:09
II Barcarolle. Andante con moto 3:52
III Street Fight. Allegro energico 1:24
IV Cortège. L'istesso tempo 4:52
V Sebastian's Dance: Tempo di Valzer moderato 2:36
VI Dance of the Wounded Courtesan. Molto moderato - Andante maestoso, ma con moto - Allegro - Moderato - Allegro agitato 4:41
VII Pavane. Andante calmo 4:54