Rossini: Ciro in Babilonia (complete opera recorded live August 2012) BLU-RAY
$72.00
Out of Stock2-4 weeks add to cart
GIOACHINO ROSSINI
Rossini: Ciro in Babilonia (complete opera recorded live August 2012) BLU-RAY
Rossini Opera Festival, Pesaro / Ewa Podles, Jessica Pratt, Michael Spyres, Mirco Palazzi / Will Crutchfield (cond)
[ Opus Arte Blu-ray / Blu-ray Disc ]
Release Date: Sunday 20 October 2013
This item is currently out of stock. We expect to be able to supply it to you within 2 - 4 weeks from when you place your order.
Suitable for General Audiences
"There are few better exponents of this genre of Rossini trouser roles, and this one in particular, than Ewa Podles. Formidable in her vocal range, she makes more than a cardboard character out of the part with outstanding acting and singing" (MusicWeb)
The Biblical story of Belshazzar's hubristic arrogance set against the valour of the young warrrior-leader Cyrus provided the 20-year-old Rossini with a dramatic story with West-Eastern resonances which still speak to us today. For the title role of Cyrus, Rossini wrote what would be his longest-ever contralto role, to which the great Rossini singer Ewa Podles is both naturally attracted and ideally suited. She is partnered by two young American stars of Rossini singing, Jessica Pratt and Michael Spyres, and a conductor-scholar, Will Crutchfield, of immense experience and sympathy.
World-premiere filming of this Rossini masterpiece.
Rossini was only 20 when he wrote Ciro in Babilonia.
Stage director Davide Livermore sets the action in the 1920s, with period black-and-white film inserts.
Features Ewa Podles as Ciro.
From the Rossini Festival at Pesaro, Italy - the only festival devoted exclusively to the works of the composer.
Extra features include: Cast gallery.
Running time: 165 minutes
"There are few better exponents of this genre of Rossini trouser roles, and this one in particular, than Ewa Podles. Formidable in her vocal range, she makes more than a cardboard character out of the part with outstanding acting and singing" (MusicWeb)
"Livermore initially opts for pure comedy in staging it as a 1920s silent movie...Never has opera seria been such a hoot...Podles makes for a feisty Ciro, her black treacle contralto imperious, even if her coloratura is now a little effortful...Pratt's Amira is excellent...The audience's matinee idol here, though, is Michael Spyres...a bari-tenor if ever there was one!" (International Record Review)
