[ Sony Classics / CD ]
Release Date: Wednesday 25 July 2018
A new Sony Classical release from Grammy Award-winning violinist Joshua Bell showcases two masterpieces from romantic composer Max Bruch. The album features Bell's first recording of the virtuosic Scottish Fantasy as well as a new recording of the Violin Concerto No. 1 in G minor, which he first recorded over thirty years ago with the Academy of St Martin in the Fields and Sir Neville Marriner. Now, as Music Director of the Academy, Bell both performs and directs the orchestra and offers a fresh take on the Bruch Concerto in addition to a thrilling performance of the Scottish Fantasy. In recent years, the Scottish Fantasy has become a favourite performance piece for Bell and his affection for the piece runs deep and with good reason: "My father's descendants were from Scotland, and I grew up hearing stories about how my great- grandfather and great-great-grandfather fought in the Black Watch in Scotland. My dad was proud of his Scottish heritage, and this connection makes the melodies in Bruch's Scottish Fantasy even more meaningful to me." The Fantasy bristles with the snap and lilt of Scottish folk songs and Bell goes on to say "It is one of the most beautiful and touching pieces I know, and so brilliantly orchestrated. It is a unique 'concerto,' not following the traditional three-movement form. Each of its four movements tells a story."
Bell recalls how Bruch's ever-popular Violin Concerto No.1 was the first major concerto he learned as an 11-year-old. "This piece is connected to so many memories!" Bell mentions that the great nineteenth-century violinist, Joseph Joachim, who figured prominently in Bell's recent Sony Classical release, For the Love of Brahms, placed Bruch's concerto in the same league as those of Beethoven, Brahms, and Mendelssohn and called it "the most seductive of violin concertos." Bell says, "It is a huge audience favorite because it is so rich and lush. It has excitement, power, passion, and intimacy--it's got everything!" "Now after more than thirty years of performing this concerto and with a variety of conductors, I am still inspired by the work, and I continue to find myself exploring fresh ideas and new possibilities for expression. As Music Director, I now have the opportunity to conduct while playing the solo part and it actually brings a whole new dimension to this piece. The Academy of St Martin in the Fields has become my musical family over the past decade, and I feel we have special chemistry!"
"At the very opening of the concerto…there's now more than a dash of gypsy soulfulness and spice. His tone fairly throbs with vibrato, ornately embroidered with portamento. How much warmer the Adagio is, too; less poised and aloof, more ardent and elastic. This elasticity is perhaps even more crucial in the Scottish Fantasy, with its fancifully discursive solo part, and Bell's rubato feels natural and authoritative throughout." Gramophone
"Very well recorded, and ideally partnered with his present team-mates, the Academy of St Martin in the Fields, Bell never short-changes the works' attractions and sometimes delivers more than you might expect." The Times
Scottish Fantasy, Op. 46
Violin Concerto No. 1 in G minor, Op. 26