On DSCH [Preludes & Fugues for piano]

 
On DSCH [Preludes & Fugues for piano] cover
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DMITRI SHOSTAKOVICH
On DSCH [Preludes & Fugues for piano]
Igor Levit (piano)

[ Sony / 3 CD ]

Release Date: Friday 10 September 2021

BBC Music Magazine Awards 2022 WINNER - Instrumental / Recording of the Year

"This is a landmark recording, a work of serious artistry, inspired programming and a spark of creative invention that lifts some performances into a very rare category indeed." Recording of the Month Oct 2021 MusicWeb

The new album "On DSCH" by Igor Levit is a 3CD discographic tour de force by "one of the essential artists of our time" (The New York Times). That the self-styled "maximalist" enjoys pushing himself to his limits - intellectually and physically - is well known, but the present project - two key cycles of musical modernism - puts all others in the shade.

Completed in 1951, Dmitri Shostakovich's 24 Preludes and Fugues - a summary of all the major and minor tonalities - lasts some two and a half hours in total, while Ronald Stevenson's Passacaglia on DSCH, which he completed in 1963, is an unbroken set of variations lasting nearly an hour and a half. The letters DSCH spell out Shostakovich's musical monogram using their German note names: D-Es-C-H = D-E?-C-B. Levit himself describes the 24 Preludes and Fugues as "a kind of musical diary": "There is something utterly unique", he says, "about this combination of warmth, immediacy and pure loneliness. For me, it is a ritual of self-exploration and self-discovery that deals with the most intimate questions."

Ronald Stevenson (1928-2015), a Scottish composer with a Utopian outlook on life, set out to circumnavigate the world from the starting point of his piano. The DSCH motif provided him with the basis for a spectacular survey of all manner of pianistic and stylistic possibilities over a span of more than three hundred variations. "The Passacaglia", Levit believes, "is a veritable compendium of life, a kind of music that tells us of our responsibility towards the world as a whole." The album's artwork is specially created by the internationally renowned artist and graphic designer Christoph Niemann, who regularly illustrates for "The New Yorker" and "The New York Times". His illustration for "On DSCH" offers a playfully abstract counterpart to this musical experience. The 3-disc set is presented in deluxe paper packaging and includes a limited edition printed insert of the "cryptogram" that Shostakovich used as his musical signature.

"So what makes this special? To start with, he never goes into a studio without a clear vision in mind, and this album of Shostakovich and Stevenson is no exception." Gramophone

"This is a landmark recording, a work of serious artistry, inspired programming and a spark of creative invention that lifts some performances into a very rare category indeed. Even if the repertoire doesn't appeal, this is a set that transcends normal considerations." Recording of the Month Oct 2021 MusicWeb

"The first surprise of this album - which you will absolutely want to hear - is the subtlety and intimacy of Levit's playing…Only a handful of pianists have scaled the heights of Stevenson's tour de force. Levit does so in unforgettable style." BBC Music Magazine Awards 2022 WINNER - Instrumental / Recording of the Year

"[Stevenson] Naturally, Levit has no problems with the technical challenges of this monumental work, playing with authority, color, and poetry. In this and the Shostakovich he always maintains a clear sense of the whole. His instrument is warmly recorded, making this exciting release a mandatory recommendation." Fanfare

Tracks:

Shostakovich: Preludes & Fugues for piano (24), Op. 87

Stevenson, R: Passacaglia on D.S.C.H

Igor Levit: Dmitri Schostakowitsch 24 Präludien und Fugen op. 87, Prelude Nr. 1 C-Dur: Moderato