More By Artist: John Wilson
Displaying items 61 to 65 of 65
OTTORINO RESPIGHI
Respighi: Pines, Fountains & Festivals of Rome Sinfonia of London, John Wilson [ Chandos SACD / Hybrid SACD - released 21/Aug/2020 ] GRAMOPHONE Award Nomination 2021 - Orchestral BBC Music Award WINNER 2021 - Orchestral |
SERGEI RACHMANINOFF
Rachmaninoff: Symphony No. 3 / Vocalise / The Isle of the Dead Sinfonia of London, John Wilson (conductor) [ Chandos SACD / Hybrid SACD - released 2/Dec/2022 ] "I have never heard Rachmaninov's imaginative scoring here [in The Isle of the Dead] brought out so vividly, allowing us to appreciate the powerful pictorial imagination of the composer." Gramophone Award Finalist 2023 - Orchestral |
BIRTWISTLE
Punch and Judy: A tragical comedy or a comical tragedy Stephen Roberts, Phyllis Bryn-Julson, Jan DeGaetani, Philip Langridge, David Wilson- Johnson & John Tomlinson / London Sinfonietta / David Atherton [ NMC / 2 CD - released 15/May/2007 ] ‘As a whole the opera loses none of its powerful and sustained impact when compared with Birtwistle’s own more mature compositions. If anything, its startling primitivisms stand out more vividly, while its not inconsiderable moments of reflection and... |
EDWARD MACDOWELL
MacDowell: Orchestral Works, Volume 2 Xiayin Wang (Solo Piano), Peter Dixon (Solo Cello), John Wilson (Conductor) [ Chandos / CD - released 16/Jan/2026 ] In July 1884, MacDowell and his wife, Marian, spent their honeymoon in England, and were both captivated by performances of Shakespeare plays at London's Lyceum Theatre. The young composer started immediately on sketches based on six characters, but... |
![Shostakovich: Cello Concertos [with Britten: Cello sonata Op.65] cover](https://images.marbecks.co.nz/_thumbnails/10617/10617682.jpg)
DMITRI SHOSTAKOVICH
Shostakovich: Cello Concertos [with Britten: Cello sonata Op.65] Sheku Kanneh-Mason (cello) / Sinfonia of London, John Wilson, with Isata Kanneh-Mason [ Decca Records / CD - released 23/May/2025 ] "The uniqueness of the present coupling is hardly the least of its assets. With sound of unfailing definition and focus, it demonstrably takes Kanneh-Mason's standing on to a whole new level." Gramophone |
