Suggestions: Essential Mozart (Incls 'Eine kleine Nachtmusik', Piano Concertos 20, 21 & 23, Symphonies 38, 40 & 41, Clarinet Concerto & Horn Quintet)

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Lieder cover
add to cart $46.00 Out of Stock
6+ weeks
BRAHMS
Lieder
Dietrich Fischer-Dieskau (baritone) Gerald Moore (piano) Wolfgang Sawallisch(piano), Daniel Barenboim and Sviatoslav Richter (piano)
 [ Brilliant Classics / 6 CD Box Set - released 13/Mar/2006 ]
Johannes Brahms wrote some 200 songs, many of them for a single voice and piano accompaniment. The piano parts are played several outstanding accompanists: Gerald Moore, Wolfgang Sawallisch, Daniel Barenboim and Sviatoslav Richter.
The Romantic Clarinet (Concertos) cover
add to cart $25.00 Out of Stock
6+ weeks
WEBER / MOZART / CRUSELL / SPOHR / KROMMER / KOZELUCH
The Romantic Clarinet (Concertos)
Emma Johnson, Harmen de Boer (clarinets) / Various orchestras and conductors
 [ Brilliant Classics / 2 CD - released 16/Aug/2005 ]
Emma Johnson began to study the clarinet at the age of nine. In 1984 she won the BBC Young Musician of the Year Competition televised throughout Europe and in 1991 was a winner of the Young Concert Artist Auditions in New York.
Salome (Complete opera recorded in 1972) cover
add to cart $25.00 Out of Stock
6+ weeks
RICHARD STRAUSS
Salome (Complete opera recorded in 1972)
Gwyneth Jones / Dietrich Fischer Dieskau / Hamburg State Opera / Karl Bohm
 [ Brilliant Classics Opera Collection / 2 CD Box Set - released 1/Nov/2009 ]
This supposedly is the first commercial "live" recording of Salome but actually it is taken from rehearsals as well as the live performance November 4, 1970.
Lucia di Lammermoor (Complete opera) [Recorded 1953] cover
add to cart $20.00 Out of Stock
6+ weeks
DONIZETTI
Lucia di Lammermoor (Complete opera) [Recorded 1953]
Maria Callas / Giuseppe Di Stefano / Tito Gobbi / Raffaele Arie / Coro e Orchestra del Maggio Musicale Fiorentino / Tullio Serafin
 [ EMI Classics / Brilliant Classics Opera Collection / 2 CD - released 20/Feb/2010 ]
'Here is certainly some of the finest singing of our time, and there is one moment in the repeat of Spargi d'amaro when the voice is recorded with all the actuality of 3-dimensional sound. It is startling.' Gramophone 1954