Sarasate: Music for Violin and Orchestra, Vol. 1 (Incls 'Zigeunerweisen')

"There are no half measures when it comes to this music - either you can play it or you can't. The Chinese Tianwa Yang - who has also recorded some of Sarasate's music for violin and piano - certainly can, and makes it all sound both easy and natural. She has bold tone, a bright sound and immaculate clarity in her left hand pizzicato; her conductor and orchestral accompanists accurately follow her weaving rubato. The delicate understatement of Viva Sevilla (track 7) is a highlight. It may all be a surfeit of paella maybe, but it makes a tasty dish all the same, and there's also a second volume now which starts with the famous Carmen Fantasy. Tianwa Yang is a name to look out for."
(MusicWeb Dec 2010)

"The album begins with Sarasate's Zigeunerweisen (Gypsy Airs), one of the most famous pieces of "gypsy" music in existence, coming to life and showing its stuff in the second half after a lengthy introduction. It's the kind of work that puts a violinist's full range of abilities on display, and Ms Yang comes though unscathed. Both she and the Orquesta Sinfonia de Navarra shine, lighting up the room with their electricity. One hardly notices the orchestra, though, what with Ms Yang putting on such an exhibition of technical prowess.

The Airs espagnols that follows is, for me, an even better piece of music than Zigeunerweisen, although it never attained the popularity. The Airs espagnols perfectly captures the spirit of the Spanish countryside in a series of delightful folk tunes and original melodies. For this brief, ten-minute, work alone the disc is worth its budget price.

The other music falls in line, with the Peteneras: Capriccio espagnol among the most multifaceted and lively, and the Nocturnes-serenade acting as a sort of calming rest stop in the procession of pyrotechnics on display in the rest of the music.

The sound that Naxos engineers capture is close and highly impressive, suiting the sweep of the music-making. Although it does not exhibit a lot of orchestral depth, it does produce a clear, sharply defined presence, with excellent dynamics. Fortunately, there are no traces of edginess, brightness, or glassiness to the sonics, so despite the closeness of the recording, things remain fairly smooth and warm throughout.

Trivia note: Sarasate himself founded the Navarra Symphony Orchestra in 1879, making it the oldest active ensemble in Spain and, therefore, wholly appropriate to playing the man's music."
Classical Candor, October 2009