Search Results: michael houstoun

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The Very Best of Shostakovich cover
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2-4 weeks
DMITRI SHOSTAKOVICH
The Very Best of Shostakovich
Konstantin Scherbakov (Piano) Michael Houstoun (Piano) New Zealand Symphony Orchestra / Christopher Lyndon-Gee (Conductor) Ilya Kaler (Violin)
[ Naxos / 2 CD - released 9/May/2006 ]
"As an introduction to the composer's work, it gives a wide-ranging and typical selection, which is in itself some achievement." (MusicWeb August 2006)
Shostakovich: Piano Concertos Nos.1 & 2 / Festival Overture / The Age of Gold Suite cover
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2-4 weeks
NZSO: An Evening with the New Zealand Symphony Orchestra cover
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2-4 weeks
AN EVENING WITH THE NEW ZEALAND SYMPHONY ORCHESTRA
NZSO: An Evening with the New Zealand Symphony Orchestra
New Zealand Symphony Orchestra / various conductors, with Christopher Hinterhuber (piano) & Michael Houstoun (piano)
[ Naxos / 2 CD - released 10/Oct/2006 ]
The NZSO has an extensive catalogue of CD recordings. It makes one CD of New Zealand music annually, as part of a commitment to promote and encourage music by New Zealand composers.
View From Olympus-Concertos for saxophone, percussion and piano cover
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2-4 weeks
JOHN PSATHAS
View From Olympus-Concertos for saxophone, percussion and piano
Pedro Carneiro (percussion) / Michael Houstoun (piano) / Joshua Redman (saxophone) / New Zealand Symphony Orchestra / Marc Taddei (conductor)
[ Rattle Records / 2 CD/DVD - released 1/Oct/2006 ]
Three concertos bring three soloists at the top of their game, together with the NZSO to create the most ambitious orchestral recording project in New Zealand history. Includes a DVD about the recording featuring interviews and footage from the...
Rachmaninov/Shostakovich: Piano Concertos cover
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2-4 weeks
SERGEI RACHMANINOV / DMITRI SHOSTAKOVICH
Rachmaninov/Shostakovich: Piano Concertos
Bernd Glemser (piano) Michael Houstoun (piano) / New Zealand Symphony Orchestra; Polish National Radio Symphony Orchestra
[ Naxos / CD - released 1/Jan/2000 ]
The Piano Concerto No. 2 in F major was written in 1957 for Shostakovich's son Maxim, who gave the first performance of the work on his nineteenth birthday. The work has about it a youthful appeal for performers and audience alike.